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For one of my "choice" movies I watched The Bourne Ultimatum with my husband. I'd seen it before, but we own it so we watched it again. It's not my favorite movie, or my favorite genre (action, violence...) but I had a lot more to say about it than I thought I would. (I'm going to give away pretty much this whole movie, so if you haven't seen it and want to, you probably shouldn't read this part.)
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This film, like many others, is about the issue of authority, and the misuse of power. Specifically this is about the misuse of power by the American government, which is a fairly common plot in our culture. It speaks to our culture's uncertainty about whether it can trust its own government, but it also speaks to us about how we view those in authority over us in general. “Jason Bourne,” whose real name is David Webb, trusts this government agency and gives his life to it. Then one day he wakes up and realizes what's going on. He can remember the face of each person he's killed, but can't remember their names. He wants to apologize, but he can't find words or actions deep enough. He doesn't know who he is apart from this evil system, but he knows he is better than it, that he can beat it, and that it is evil. He has a sense that he needs to go back to the beginning of it all, confront the ultimate authority figure, and show up the evil system by his own goodness and sense of truth, right and wrong. I found it interesting that in this film, the “good” is represented by the young, the intelligent, and women. They are less willing to be coerced into using evil means to attain a good end. The personifications of the evil system are all old men.
I liked the suspense, the fact that good was fighting evil and good won, and the criticism of the abuse of power. I didn't like all the violence. It's too bad it seems impossible for our culture to show a powerful overcoming of evil without the “good” side using violence—even though it's less violence than the other side uses. I liked that women were shown as being less coerced into “ends justify the means” thinking, but I didn't like that the women were still powerless to stop those who were thinking this way. The women could help Jason Bourne, but he was the only one who could “save” them and show up the injustice in the system. He also literally saved the lives of women who could only stand by passively, trying not to get shot.
A "holy moment" occurs in Bourne's moment of honesty that he could remember all the faces of those he'd killed, but not their names, and his confession of feeling powerless to be forgiven of those acts. His ability to admit his powerlessness was a holy moment, a moment of paradoxical forgiveness and redemption. Also, the fact that he was not willing to stoop to the level of those who were trying to kill him was a holy theme. Of course it's necessary to do this with the protagonist—it seems that filmmakers know the Just War criteria better than those who run real wars, and they use these criteria to make the protagonist look good: he doesn't use force unless necessary, and then only in proportion to the threat. He doesn't kill innocent people, he doesn't even kill those who aren't innocent if there's another way. He only uses violence when he is threatened, not before. Although in some ways he is seeking revenge, it is not a revenge that requires the lives of everyone who has wronged him. Instead he seeks justice: the exposure of the unjust agency for which he was working. He seeks, as Romans 12:21 puts it, to “overcome evil by staying in the good” (my translation). It is also perhaps a “holy moment” to think about how and when we have trusted an authority figure/institution and then realized they were abusing their power—even authority figures in the church.
2 comments:
Hey, the college part of Into the Wild was filmed in Macy at Fox! I was visiting Tami a couple of years ago when they were there. I haven't seen it yet to see if you can tell or not...
I totally forgot about that, Amy! I'll have to go back and watch the college sequence when it comes out on video/DVD.
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